I have to begin this review with a caveat: nothing I can write will do justice to Indecent or to Cape Rep’s production of this “true story of a little Jewish play.” It may well be the most perfect thing I’ve ever seen on stage. There’s dancing....
“You see, I am a critic. A critic is no-one,” says the self-deprecating Ken Tynan (Philip Hayes) in Austin Pendleton’s story of an imagined collaboration between Tynan, Orson Welles (Christopher “Chiz” Chisholm), and Laurence Olivier (John Feltch)...
“It often rings that way… about this time of night…” That’s the Nurse (Marcel Meyer) speaking to Hikaru (Justin Chevalier), as the two linger by the hospital bedside of Hiraku’s wife in the Abrahamse-Meyer production of The Lady Aoi at the...
One could argue that 1959, when Eugène Ionesco wrote Rhinoceros, was a time far removed from our own. World War Two was little more than a decade over. The Cold War was vigorous. Yet sixty years on, the play is chilling in its indictment of the problems of...
In a month-long residency, South African company Abrahamse and Meyer to perform their acclaimed Noh play September 12-22 World-renowned South African theatre artists Fred Abrahamse and Marcel Meyer have been bringing vibrant works to the Provincetown Theater...
How do you keep a legend alive? By embalming the body, of course, and that’s exactly what Josef Stalin (Robin Bloodworth) has decided to do: preserve the body of dead Soviet leader Vladimir Lenin (Robin Haynes) so that it may be viewed by the...
In one of Buddha’s lives, he was a ferryman. A ferryman? “He was drawn to the life because of the tranquility of being on the water,” explains Mike Glasfeld. “And he used his ferry to deliver people to enlightenment. How cool, right?” Most...
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