Some of the most interesting plays I’ve seen feature a character who never is present physically onstage but is intimated, felt, almost-perceived. That character often silently lends an air of foreboding to an otherwise ordinary situation. That’s...
Harbor Stage Company
One of the most powerful aspects of Harold Pinter’s work is in the spaces he creates between the lines spoken by his characters. It’s in the silences, in the pauses, that the more visceral story is being told, and in no other work is this more apparent...
It’s a truism that there’s no business like show business—and it’s a Cape Cod truism that the Harbor Stage Company puts on some of the best shows around. That’s certainly the case with the current offering, loosely adapted from George S. Kaufman’s...
One has to start with a trigger warning: Bryony Lavery’s play Frozen could be quite difficult for some people to watch, dealing as it does—intimately—with pedophilia and serial murder. None of that is immediately obvious to the audience; as the play...
Two men meet in a bar. It’s the opening to many a story that at least one of the participants is going to later regret. That’s fortunately not the case in The Ballad of Bobby Botswain, the Harbor Stage Company’s current world première and the sort of...
It’s telling that as the audience files in to see Sam Shepard’s Pulitzer-prizewinning play, Buried Child, at the Harbor Stage Company, they must put on masks and have their vaccination credentials examined: our time is not so very different from the world...